The old plantations also existed in all ages, careful attitude: the trees were valued, especially the oldest, preserved the old layout of gardens, old buildings. Thus, for each style in the gardens were typical their plants, their ways of planting, location and combination. Their special semantics have every style fountains, waterfalls, streams, ponds, greenhouses, orchards located in the laboratory, cages, farms, gardens and apothecary mazes. There is another feature in the development of styles of landscape art. Between the styles of art in the garden there are no abrupt transitions that exist in the other arts: the trees grow slowly, they are put “on growth “, with the future, sometimes distant, and space for gardens and parks for the most part of the” traditional “: it is associated with the existing buildings on it and the buildings, and therefore difficult to restructure. Throughout Ages to today in the layout of the space, there are two parallel lines (reception) – the regular-geometric and pictorial landscape. They never completely exclude each other.
After all, even the most stringent geometric compositions planning fit into the living natural environment. In contrast, none of even the most picturesque plan is complete without a geometrically regular elements, though not large. So what they do, create a landscape objects corresponding to the styles of architecture, landscape and through regular methods, investing in each of them is a semantic image: Cultural, ethnic, mythological, genetic landscape (water, mining, etc.), poetry, urban. Good luck! Bibliography: IO Gods, LM Fursova. Landscape art. – Moscow: VO “Agropromizdat”, 1988. – 222 SE Gnezdilov.